Posts Tagged ‘Holocaust’
In planning for the anticipated return of Stitching History From The Holocaust and the added stories of the Oelsner and Spira/Stern families, Jewish Museum Milwaukee was excited to present a timeline that would integrate their narratives with the Strnad’s and provide context for events surrounding World War II. Little did we know that in contextualizing the individual experiences that happened seventy-five years ago, we would encounter disturbing parallels to what we are witnessing in our world today.
In Paul Strnad’s first letter to his cousin, Alvin, in Milwaukee dated October 1938, he writes “even now strong anti-Semitic tendencies are making themselves felt, such tendencies that never even existed before in this country.”
Re-reading this statement in the days leading up to the recent one year anniversary of the white-nationalist led ‘Unite the Right’ rally in Charlottesville, VA, and watching that community along with our nation’s capital brace for another unbridled display of racism, anti-Semitism and sheer hatred for ‘the other’, I couldn’t help but reflect on two phrases which are part of our collective consciousness – “never forget,” and “those who do not learn history are doomed to repeat it.”
The anniversary saw the rally supporters outnumbered by counter-protesters but we must ask ourselves what gave rise to that explosion of vitriol? On the television, in podcasts, on social media platforms and in our country’s streets, our society has witnessed an unprecedented show of unity among white supremacist groups and movements. Despite those two seemingly engrained phrases, segments of our world ARE forgetting.
According to recent polls conducted by the Conference on Jewish Material Claims Against Germany, two-thirds of American millennials surveyed cannot identify what Auschwitz is and 22% of millennials haven’t heard of the Holocaust or are not sure whether they’ve heard of it. There was a much greater awareness of modern-day bias against Jews, with 68% of respondents saying anti-Semitism is present in America today, and 51% saying there are “many” or “a great deal of” neo-Nazis in the United States today.
After seeing these statistics, two other well-known quotes come to mind: “fear springs from ignorance,” and “knowledge is power.” While these concepts are universally known, understanding and knowing how to practice them are something else entirely. These are lessons we urgently need to be re-educated about – sustained reminders of this responsibility are essential to the foundation of our humanity.
-Molly Dubin, Curator
Bottom image: (left to right) Rebekah Sherman, Judy Sidran, John Tortorice, Tony Michels, Michael Stern, Amos Bitzan, and Chad Gibbs at “Translating Lives: An Exploration of the Correspondence of Sara Spira” program where University of Wisconsin-Madison Professor Amos Bitzan revealed the statistics released by the Conference on Jewish Material Claims Against Germany.
While working on the original research for Stitching History From the Holocaust, we cherished each small detail about the “talented dressmaker” and her husband Paul. JMM started this process with one letter, eight dress designs, two envelopes, and one photograph. This led us to international archives and connected us with European family members.
Through our research and connections, we located several additional pictures and two more letters written by Paul detailing the challenges of escaping from Nazi-occupied Czechoslovakia. These pieces offered us new details about the couple, their professional and family lives, and their attempt to escape. This is the backdrop to the small trove of new pieces we recently discovered about the Strnad family.
After Ambassador Andrew Schapiro spoke at Jewish Museum Milwaukee in July 2018, he mentioned that he had a surprise for us. The next morning, he sent an email with four pictures of Hedy Strnad attached with the following message:
“I mentioned that there’s a very useful database maintained by the Terezin Initiative, compiling documents from municipal records (many from the inter-war period) relating to people who ultimately were sent to Terezin and beyond. In case your researchers have not yet used it to research the Strnads. You might want to pass along this link. There are a few (mundane, but with photos) 1920s and 30s documents there relating to Hedy and Paul. I attach a few photos of Hedy that I copied from the site.”
For me, these pictures of younger Hedy were anything but mundane. They show a twenty-something Hedy, before she married Paul. Through the next three, we see her develop into the woman we know from our photograph of the couple. Her signature matches the one that we used to create our label for the dresses. Going through this trove of information, we found Paul’s passports and pictures of Hedy’s sister and mother.
Hedy Anscherl, 1921
Hedy Strnad, 1924
Hedy Strnad, 1934
Hedy Strnad, 1935
Paul Strnad, 1923
Gertrud, Hedy’s Sister
We are still combing through this new resource, but we are already working towards including some of these new images in the exhibit and updating the Strnad family tree to include the pictures of Hedy’s family. These additions show the evolution of the exhibit, but also demonstrate that historical research is never done. There will always be more archives to explore and people to connect with, but each small salient connection like these helps expand our understanding of the lived experience.
Wow! Three years. It really doesn’t seem possible that I have been at the Jewish Museum Milwaukee for three whole years. They say that time flies when you are having fun, and if you consider fun the ability to learn, grow, converse, contemplate and create; then I have certainly had my share at JMM.
The people, the programs, the exhibits, the education programs and the special events all make each day meaningful and unique. I am awed by the talent of the staff and interns, inspired by the passion of the board, docents and exhibit committees, touched by our visitors’ stories, thankful for treasured donations to the archives, warmed by the thousands of school children who visit, grateful to our loyal members and encouraged by the donors and all who believe in what we do.
JMM is strong today because of this collective passion, vision and dedication.
JMM occupies a unique niche in the museum world in Milwaukee. We use the Jewish experience to build bridges between groups of people and between eras. We live our tagline “Where Conversations Happen” by looking at multiple perspectives of a topic or issue, by partnering with diverse organizations, by asking visitors to use critical thinking skills to contemplate commonalities and differences of a particular subject over time. The board and staff of the Jewish Museum Milwaukee met this fall and after considerable discussion, data gathering, and reflection put to writing our collective understanding of what we see as JMM’s impact in the Jewish community, Greater Milwaukee community, South Eastern Wisconsin schools and residents, and even national audiences.
“Use the Jewish experience in Milwaukee and beyond to connect and create dialogue on relevant critical issues and to inspire and transform visitors.”
We certainly had that goal in mind when we decided to exhibit Allied in the Fight: Jews, Blacks and the Struggle for Civil Rights and related programming this past winter. The intent was to share the history of these two groups as it relates to the Civil Rights movement and the Fair Housing marches of 50 years ago. We were also intent on building bridges between the two communities and two eras. The exhibit engaged the national and local alliances between African Americans and Jews historically, during and after the 1960s, and contemplated issues that are relevant today. Programs explored redlining, segregation then and now, and contemplated actions needed for moving forward toward effecting positive change. The exhibit and programs fittingly ended with an African American Jewish Freedom Seder. Twenty City of Milwaukee schools were subsidized so they could bring their classes to learn about the Civil Rights era of 50 years ago. One thousand nine hundred students learned about this important time period. Diverse audiences came to the nine sold-out programs. These programs demonstrated that the audiences were hungry for information and open dialogue – wanting to understand Milwaukee’s history and to take actions to change the status quo.
One visitor commented, “My first time at this museum and it was powerful and inspiring about the past and present of this state. Don’t change too much, we have lots to do!” Another stated: “Beautiful exhibition. Two voices that can only build off each other.”
The remount of Stitching Histories From the Holocaust, is at its essence stories about the human toll and talent lost during the Holocaust. The stories of three families with local ties personalizes the enormity of the Holocaust. JMM added a timeline to the exhibit which highlights immigration laws and anti-Semitic activity from the 1920s to 1950s. The three families’ watershed moments complete the timeline – asking visitors to contemplate the personal toll laws and public opinion had on the outcomes of these three families.
Programs for the exhibit look at the historical context like the Diaspora in China: German and Polish Refugees in Shanghai on August 7. JMM will also provide context for the rise of nationalism and immigration issues of today. On July 11, former United States Ambassador to the Czech Republic Andrew Schapiro will explore the rise of nationalism in relation to his family’s story of immigration from Czechoslovakia in 1940 and the return of populism and nationalism in the Czech Republic and Eastern Europe today. Darryl Morin will present Contemporary Issues in Latino Immigration on July 25. These presentations will offer historical threads, impart new knowledge, and spur thoughtful conversation.
This October, with our most ambitious exhibit to date, JMM will consider the question that echoed through the United States in the 1940s and 1950s: Are you or have you ever been a member of the Communist Party?
JMM’s originally curated Blacklist: Hollywood’s Red Scare explores the House Un-American Activities Committee (HUAC) investigation of alleged disloyalty and subversive activities on the part of private citizens and organizations suspected of having communist ties. Driven by fear of the spread of global communism, HUAC demanded that actors, writers and directors declare if they ever had communist ties and to name others who may have communist affiliations. HUAC and its supporters espoused that it was a citizen’s patriotic duty to share their political affiliation and to identify others’ associations. Those who refused to declare their affiliation or to name names felt they were the defenders of the First Amendment Rights of Free Speech and Assembly.
I hope you were impacted and maybe even transformed by the exhibits and programs of the past year, as I was. I certainly hope you join us this fall as we contemplate and discuss the definition of patriotism. We hope school children explore the exhibit and partake in workshops to learn more about their First Amendment rights. Thank you to all of you for making my first three years memorable, transformative, insightful and treasured. Please join us again and again, for only through shared discourse and learning can we make a difference.
By Nina Edelman,
Exhibit Chair, Fabric of Survival
Fabric of Survival: The Art of Esther Nisenthal Krinitz will be on display from February 17 to May 26, 2017. Nina Edelman will be facilitating a panel discussion on Thursday, March 2 exploring diverse cultural textile traditions.
One does not have to be a textile artist or even a hobby sewer to be in awe of the artistry in fabric and thread of the 36 hauntingly beautiful quilts by Holocaust survivor Esther Nisenthal Krinitz. I first encountered them when the extraordinary picture book Memories of Survival came to my attention as a librarian a dozen years ago. It is a treasure not only of lush textile landscapes and dazzling embroidery by a non-artist, but as a family document of tragedy and loss, and as a confirming survivor testimony of Nazi terror. I purchased the book for the MJDS library, and for myself. It has had a privileged spot on my bedside bookshelf, and in my psyche as a quilter all these years.
Story quilts and other storytelling textiles are not new. They have been made world over throughout history. This collection has pointed significance for us in 2017, though. It again reminds us it is our obligation, as Esther knew, to pass on the stories of our parents and grandparents to our children and their children in any way we can.
These scenes and accompanying text nag at us. Why the Jews? What power do we have over evil? How do we defend ourselves against irrational governments? How do we protect our most vulnerable citizens? What does it mean to be a refugee? And what responsibilities do we have for those being persecuted?
Fabric has been my playmate from the time I was a young girl delighting in colorful discarded hems from my seamstress grandmother, to collecting fabric samples from around the world at flea markets, to teaching quilting and embroidery, and to immersing myself in quilt subculture. My interest in Jewish genealogy has led to recent trips in Poland and Ukraine to explore the life of my ancestor’s towns, in the general area of Esther’s village. How could I not be excited by the Fabric of Survival exhibit? It has been a privilege to be involved with it. Thank you Jewish Museum Milwaukee for bringing it to us.
By: Ellie Gettinger, Education Director
I am sitting at LaGuardia reflecting on the past two whirlwind days. I am flying back after the opening of Stitching History From the Holocaust and completely overwhelmed by the experience. Walking into the gallery at the Museum of Jewish Heritage, I was bowled over the staging of the exhibit and seeing Hedy Strnad’s eight dresses staged in their beautiful space. I couldn’t let the experience go without reflecting on what this means for Jewish Museum Milwaukee and for me personally.
JMM is a small museum that opened roughly eight years ago. The materials that were donated by the Strnad family in 1998 before the Museum was a glimmer in founding director’s Kathie Bernstein’s eye. We brought new life to these materials–eight dress designs, one letter, two envelopes, and one picture–as they became part of JMM’s permanent exhibit. They are central to the story we tell and visitors were impacted by the elements of the story that we presented.
As we proceeded to research and curate this larger exhibit, many people were pulled into the orbit of this exhibit. The Strnad family, the team from the Milwaukee Repertory Theater’s Costume Shop, researchers and humanities scholars in Milwaukee, Prague, the producers and talent at The Arts Page, which airs on Milwaukee Public Television, students, docents, visitors–all became part of the cult of Hedy. They were pulled into the idea of giving this woman, this couple, this family back some part of the legacy that was taken from them. When the exhibit was in Milwaukee, we reached thousands of people. National publicity, including an article by Samuel Freedman in the New York Times and a piece on PBS Newshour Weekend, created a buzz and we received so many inquiries about whether visitors would be able to see this exhibit elsewhere.
All of this energy followed me on my trip to open Stitching History in New York. The audience in New York expands the reach of this story considerably. The curation and design in New York is just lovely, adding elements to the exhibit that enliven the story–I love the addition of Hedy’s Signature to the wall and the ingenious way in which they MJH team made the fabrics accessible to touch. More than this, the position of the Museum of Jewish Heritage overlooking the Statue of Liberty and Ellis Island, offer yet another narrative ark to the story. Here we see Hedy’s beautiful dresses in the shadow of icons of American immigration.
This is yet another beginning for this exhibit, another chance to induct more people into Hedy’s sway. And it is start of a broader national conversation in which people all over the country will have the opportunity to be part of this story. At the end of the opening event, one patron came up to me and said, “I am taking Hedy with me.” She thanked me and this Museum for sharing her story. We hope that so many more will come away with this feeling.