As Jewish Museum Milwaukee prepares to launch Blacklist: The Hollywood Red Scare, which focuses on an area of history that has personally interested me for decades, I have to confess to spying a wall calendar notation in a JMM staff member’s office and literally nagging to be included in the planning! I waged an unprecedented campaign for a volunteer position, and I am honored and proud to co-chair this exhibit with Lori Craig.
One might ask, What’s Jewish or Milwaukee about this topic? The answer could be: What isn’t?
The most direct Milwaukee connection is our state’s history as the constituency of Senator Joseph R. McCarthy, the name that instantly comes to mind when we hear Red Scare. McCarthy was dangerous and a threat to American democracy. A portion of the exhibit and one lecture program will focus on his crusade. His mission was to “out” and oust Communists in the State Department and other federal agencies, as well as in the military. Finally, in 1954, the Army-McCarthy hearings signaled the beginning of his downfall.
I remember, as a child during the McCarthy era, that my parents did not subscribe to the North Shore Herald newspapers, because the chain’s owners were pro-McCarthy. But the Jewish community, locally and nationally, was not so monolithic in opposing him.
Jews were also prominently involved in the Red Scare as it played out in Hollywood and the entertainment industry investigated by the earlier and simultaneous hearings of the House Un-American Activities Committee. Jews and non-Jews alike were both good guys, who resisted the congressional witchhunts and risked contempt of court citations, and bad guys, who named names. Whether one reacted, when the FBI knocked on the door, out of fear or with courage would affect one’s livelihood and family life, in some cases permanently. Prominent name namers were the mostly Jewish owners of the major movie studios, whose likely motivations were both economic survival and the desire to be considered “real Americans.”
Many of the targeted writers, actors, directors, production people and journalists had been lauded for their World War II support. Many had fought in our military when the Soviet Union was our ally. Some were refugees from the Nazis, only to be deported by the Red Scare.
Some had been members of the Communist Party long before it became a crime (1954). Others were sympathizers whom today we might call liberals or progressives or social justice advocates. Even if their views diverged from the government’s, they assumed they could express themselves freely and associate freely, protected by—you know–the First Amendment.
There were no tweets or Facebook or alt-right or alt-left bloggers, but there were boycotts, sponsorships rescinded, passports confiscated, friends betrayed, whipped up rallies, children hounded, suicides.
McCarthy’s ultimate nemesis, the Army’s General Counsel Joseph Welch, made the definitive pronouncement on the Red Scare era: “At long last, have you no shame?”
Relevance? To Milwaukee? To Jews? To our history? To our NOW? Do we have to ask?
– Linda Frank, co-chair of Blacklist: The Hollywood Red Scare
Images (top to bottom):
– Senator Joseph McCarthy points to a newspaper with an inflammatory headline.
– Dalton and Cleo Trumbo on location for Exodus (circa 1960). Courtesy of the Wisconsin Center for Film and Theater Research.
– Family and friends rally for the Hollywood Ten (circa 1949). Courtesy of the Tamiment Library and Robert F. Wagner Labor Archives, New York University.
Wow! Three years. It really doesn’t seem possible that I have been at the Jewish Museum Milwaukee for three whole years. They say that time flies when you are having fun, and if you consider fun the ability to learn, grow, converse, contemplate and create; then I have certainly had my share at JMM.
The people, the programs, the exhibits, the education programs and the special events all make each day meaningful and unique. I am awed by the talent of the staff and interns, inspired by the passion of the board, docents and exhibit committees, touched by our visitors’ stories, thankful for treasured donations to the archives, warmed by the thousands of school children who visit, grateful to our loyal members and encouraged by the donors and all who believe in what we do.
JMM is strong today because of this collective passion, vision and dedication.
JMM occupies a unique niche in the museum world in Milwaukee. We use the Jewish experience to build bridges between groups of people and between eras. We live our tagline “Where Conversations Happen” by looking at multiple perspectives of a topic or issue, by partnering with diverse organizations, by asking visitors to use critical thinking skills to contemplate commonalities and differences of a particular subject over time. The board and staff of the Jewish Museum Milwaukee met this fall and after considerable discussion, data gathering, and reflection put to writing our collective understanding of what we see as JMM’s impact in the Jewish community, Greater Milwaukee community, South Eastern Wisconsin schools and residents, and even national audiences.
“Use the Jewish experience in Milwaukee and beyond to connect and create dialogue on relevant critical issues and to inspire and transform visitors.”
We certainly had that goal in mind when we decided to exhibit Allied in the Fight: Jews, Blacks and the Struggle for Civil Rights and related programming this past winter. The intent was to share the history of these two groups as it relates to the Civil Rights movement and the Fair Housing marches of 50 years ago. We were also intent on building bridges between the two communities and two eras. The exhibit engaged the national and local alliances between African Americans and Jews historically, during and after the 1960s, and contemplated issues that are relevant today. Programs explored redlining, segregation then and now, and contemplated actions needed for moving forward toward effecting positive change. The exhibit and programs fittingly ended with an African American Jewish Freedom Seder. Twenty City of Milwaukee schools were subsidized so they could bring their classes to learn about the Civil Rights era of 50 years ago. One thousand nine hundred students learned about this important time period. Diverse audiences came to the nine sold-out programs. These programs demonstrated that the audiences were hungry for information and open dialogue – wanting to understand Milwaukee’s history and to take actions to change the status quo.
One visitor commented, “My first time at this museum and it was powerful and inspiring about the past and present of this state. Don’t change too much, we have lots to do!” Another stated: “Beautiful exhibition. Two voices that can only build off each other.”
The remount of Stitching Histories From the Holocaust, is at its essence stories about the human toll and talent lost during the Holocaust. The stories of three families with local ties personalizes the enormity of the Holocaust. JMM added a timeline to the exhibit which highlights immigration laws and anti-Semitic activity from the 1920s to 1950s. The three families’ watershed moments complete the timeline – asking visitors to contemplate the personal toll laws and public opinion had on the outcomes of these three families.
This October, with our most ambitious exhibit to date, JMM will consider the question that echoed through the United States in the 1940s and 1950s: Are you or have you ever been a member of the Communist Party?
JMM’s originally curated Blacklist: Hollywood’s Red Scare explores the House Un-American Activities Committee (HUAC) investigation of alleged disloyalty and subversive activities on the part of private citizens and organizations suspected of having communist ties. Driven by fear of the spread of global communism, HUAC demanded that actors, writers and directors declare if they ever had communist ties and to name others who may have communist affiliations. HUAC and its supporters espoused that it was a citizen’s patriotic duty to share their political affiliation and to identify others’ associations. Those who refused to declare their affiliation or to name names felt they were the defenders of the First Amendment Rights of Free Speech and Assembly.
I hope you were impacted and maybe even transformed by the exhibits and programs of the past year, as I was. I certainly hope you join us this fall as we contemplate and discuss the definition of patriotism. We hope school children explore the exhibit and partake in workshops to learn more about their First Amendment rights. Thank you to all of you for making my first three years memorable, transformative, insightful and treasured. Please join us again and again, for only through shared discourse and learning can we make a difference.
In thinking about the show “Once & Again: Still Lifes by Beth Lipman” we wanted to develop a number of ways for visitors to connect with this exhibit. Beth Lipman lives and works in Sheboygan Falls, Wisconsin, but her work and renown is national. We wanted to find other people who fit this bill–who choose to live in Wisconsin and have reach throughout the country. Our first “Local Lives, National Voice” speaker is filmmaker Brad Lichtenstein. He will be speaking at JMM on September 18 at 5:00 PM. RSVP Here>>
I first met Brad Lichtenstein through his work at UW-Milwaukee. He founded the docUWM program and created a film with the students there called Chosen Towns, which in some ways is a preview to his newest movie, There are Jews Here. While There are Jews Here is about small Jewish communities nationally, Chosen Towns reflected on the small Jewish communities throughout Wisconsin.
His work extends well beyond shrinking Jewish communities. He has created work for Al Jazeera America, PBS, and the Washington Post among other national outlets. This piece examines the changing political culture in Wisconsin for a series that appeared on the Washington Post’s website:
Over a year ago he launched Precious Lives, a powerful radio series on WUWM, examining the impact of gun violence on Milwaukee. He sat down with the host and producer of the series after the unrest in Sherman Park this summer to have a candid talk about what they had just experienced. This conversation is an important way to reflect upon the state of our city and different ways of engaging. You can find that talk here>>
At his talk at JMM, he will be talking about the breadth of his work, including his new film. There are Jews Here will be screened at the Milwaukee Film Festival. Tickets are available here!
Today you may be expecting to see something funny or unexpected, it is April Fool’s Day after all. But I want to mark another celebration on this day. Today is the 115th anniversary of the publication of The Settlement Cook Book. This is an artifact that just keeps coming up–we hosted a successful program with the Wisconsin 101 project, in which we detailed the cookbook’s impact on state and national culture. I was interviewed recently by a national source to talk about the book and its Jewish content and next week I am giving a presentation about it at a local senior center. I won’t say that it gets the most attention, but it is certainly one of our most central stories. I have had visitors from everywhere–Atlanta to Ashwaubenon (one of my favorite Wisconsin town names), Jewish and non-Jewish–who relate to this cookbook and tell me their stories of growing up with it.
The cookbook appeared in numerous editions, but here is the story of the first. Lizzie Kander, leader extraordinaire of the Settlement House, goes to her board of directors, all men that she had recruited to be part of this endeavor to ask for $18 (roughly $500 today) to publish a cookbook. While the men signed on to Lizzie’s mission to acculturate new immigrants, they did not really see the practical application of a cookbook. Most of these men had cooks and I would venture that none of them had ever made anything in a kitchen. She went to her friend and publisher Merton Yewdale, who agreed to help her find advertising. They sold their product at the Boston Store and gave the first twenty to her students. This is the beginning of an icon…it became nationally known and famously James Beard said, “If I consult a cookbook at all, it is likely to be by one of these sensible flat-heeled authors like the famous Mrs. Kander.” That first edition raised over $500–more than $13,000 by today’s standards.
Below are two of my favorite icons from Settlement Cook Books–the formal table setting and some of the early ads that made it possible. Perhaps you can celebrate Settlement Cook Book Day as I like to call it, by using just as much cutlery as the illustration below shows!